38 special anthology disc 1 v11
Anthology is a compilation of Motown hits by pop and R some unnamed client has hired him to break into a rural home and steal/recover a mysterious VHS tape. They bust into the house to find it nearly empty, except for a basement that might as well be on the show Hoarders and an upstairs room where several staticky tube TVs are hissing in front of an old bearded dead man in a La- Z- Boy. As they.
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i River i River i River, Catch the digital flow! 10,000 Maniacs MTV - The Unplugged Collection, Volume 1 Don't Talk 10,000 Maniacs Blind Man's Zoo Eat for Two 10,000 Maniacs Blind Man's Zoo Jubilee 10,000 Maniacs Blind Man's Zoo Trouble Me 10cc Super Hits Of The '70s - Have A Nice Day, Vol. 19 The Things We Do For Love 3 Dog Night The Best Of Black And White 3 Dog Night The Best Of Celebrate 3 Dog Night The Best Of Easy To Be Hard 3 Dog Night The Best Of Family Of Man 3 Dog Night The Best Of Joy To The World 3 Dog Night The Best Of Mama Told Me ( Not To Come) 3 Dog Night The Best Of Never Been To Spain 3 Dog Night The Best Of Old Fashioned Love Song 3 Dog Night The Best Of Out In The Country 3 Dog Night The Best Of Shambala 38 Special Flashback Caught Up In You 38 Special Flashback Fantasy Girl 38 Special Flashback Hold On Loosely 38 Special Flashback Rockin' Into the Night 4 Non Blondes Bigger, Better, Faster, More What's Up A Badalamenti Twin Peaks Laura Palmer's Theme ( Instrumental) A Badalamenti Twin Peaks Love Theme from Twin Peaks ( Instrumental) A Badalamenti Twin Peaks Twin Peaks Theme ( Instrumental) A Taste Of Honey The '70s Preservation Society Presents Disco Fever ( Disc 1) Boogie Oogie Oogie A- HA Take On Me Single Take On Me Abba Gold - Greatest Hits Chiquitita Abba Gold - Greatest Hits Dancing Queen Abba Gold - Greatest Hits Does Your Mother Know? Abba Gold - Greatest Hits Knowing Me, Knowing You Abba Gold - Greatest Hits Take a Chance on Me Abba Gold - Greatest Hits The Winner Takes it All Abba Gold, Greatest Hits Voulez Vous Abba Gold - Greatest Hits Waterloo Abba Arrival When I Kissed The Teacher AC DC Back In Black You Shook Me All Night Long Ace Super Hits of the 70's - Have a Nice Day Vol. 14 How Long Ace Frehley Super Hits Of The '70s - Have A Nice Day, Vol. 25 New York Groove Ace Of Base The Sign All That She Wants Ace Of Base The Sign Don't Turn.
Once again, John Williams has exceeded my expectations and produced a lavish, rich, moving and thrilling score. Every fan of Star Wars—and of great music—is in his debt. ― George Lucas[src] The musical scores for all the Star Wars films were composed by John Williams. The music for the films are especially distinctive as it has been known to paint musical pictures of such accessibility and precision, and Williams's invaluable contribution to the double-trilogy stands as an unsurpassed feat in the history of film scoring in terms of breadth, thematic-development and cultural impact. The scores utilize an eclectic variety of musical styles, many culled from the Late Romantic idiom of Richard Strauss and his contemporaries that itself was incorporated into the Golden Age Hollywood scores of Erich Wolfgang Korngold and Max Steiner. While several obvious nods to Holst, Walton, and Stravinsky exist in the score to A New Hope, Williams relied less and less on classical references in the latter five scores, incorporating more strains of modernist orchestral writing with each progressive score. The reasons for Williams's tapping of a familiar Romantic idiom are known to involve Lucas's desire to ground the otherwise strange and fantastic setting in well-known, audience-accessible music. Indeed, much of the trilogy's success relies not on advanced visual effects, but on the simple, direct emotional appeal of its plot, characters, and, importantly, music. Star Wars is often credited as heralding the beginning of a revival of grand symphonic scores in the late 1970s. While to ascribe this feat single-handedly to Williams is premature, the popularity and impact of the scores was a major contribution. One technique in particular has had a particular influence: Williams's revival of a technique called leitmotif, which is most famously associated with the operas of Richard Wagner.
Bigger and bluer than ever. But is it better? Reviewed by Casey Broadwater, November 15, 2010 You knew it was coming. Back in April, when 20th Century Fox released a bare-boned, bonus-feature-free edition of Avatar to coincide with Earth Day, the studio made it perfectly clear that a fully loaded multi-disc set was only a few months away. If you picked up that initial release, then, there's no room to complain about being forced to double dip. You really can't say you weren't warned. On the other hand, if you've held out these past seven months, waiting for the Avatar set to end all Avatar setsuntil, at least, the inevitable 3 D Blu-ray editionwell, your patience is going to be thoroughly rewarded. I've just spent the weekend with this new three-disc release, and I'm here to report that it's as exhaustive, encyclopedic, and all-encompassing as you'd hope. To start, you get three versions of the filmthe Original Theatrical Release, the eight-minute-longer Special Edition Re- Release, and the Collector's Extended Cut, which has all the footage from the Special Edition plus another eight minutes of reintegrated, fully finished material. The three cuts are selectable from the menu of Disc One, and presented via seamless branching. Disc Two, titled Filmmakers' Journey, contains a lengthy making of documentary, along with over 45-minutes of never-before-seen deleted scenes, and Disc Three, Pandora's Box, is a treasure trove of production featurettes and scene deconstructions. Fans couldn't ask for more. And, of course, this set is meant for Avatar fans. If you're completely new to the filmthat is, if you're one of the three people on the planet who have no clue what a Na'vi islet me direct you to my original review, which can be found here. The short version is this: I think Avatar is an evolutionary leap forward in motion capture technology, the blending of live-action.
The Hourglass Anthology is a compilation album by the American metal band Lamb of God which was released in three different forms. The first disc is Volume One: The Underground Years, which contains their best songs from when they were called Burn the Priest, and songs from New American Gospel and As the Palaces Burn. The second disc is Volume Two: The Epic Years, which contains songs from the albums Ashes of the Wake, Sacrament and Wrath. The third form was a box set with volume 1 and 2 and contains a third volume, Volume 3: The Vault. This volume contains rare and never before heard songs. Track listing[edit] All songs written and composed by Lamb of God. Volume 1: The Underground Years No. Title Length 1. Black Label ( New American Gospel) 4:42 2. Ruin ( As the Palaces Burn) 3:54 3. Bloodletting ( Burn the Priest) 1:58 4. Pariah ( New American Gospel) 4:26 5. Resurrection 9 ( Burn the Priest) 5:15 6. 11th Hour ( As The Palaces Burn) 3:44 7. The Subtle Arts of Murder and Persuasion ( New American Gospel) 4:11 8. As the Palaces Burn ( As The Palaces Burn) 2:26 9. Terror and Hubris in the House of Frank Pollard ( New American Gospel) 5:39 10. Lies of Autumn ( Burn the Priest) 4:48 11. O. D. H. G. A. B. F. E. ( New American Gospel) 5:13 12. Suffering Bastard ( Burn the Priest) 2:09 13. Vigil ( As the Palaces Burn) 4:44 Total length: 53:00 Volume 2: The Epic Years No. Title Length 1. The Passing ( Wrath) 1:58 2. In Your Words ( Wrath) 5:25 3. Hourglass ( Ashes of the Wake) 4:01 4. Walk with Me in Hell ( Sacrament) 5:11 5. Contractor ( Wrath) 3:22 6. Now You've Got Something to Die For ( Ashes of the Wake) 3:40 7. Descending ( Sacrament) 3:36 8. Set to Fail ( Wrath) 3:46 9. Blacken the Cursed Sun ( Sacrament) 5:29 10. The Faded Line ( Ashes of the Wake) 4:37 11. Dead Seeds ( Wrath) 3:41 12. Redneck ( Sacrament) 3:41 13. Laid to Rest ( Ashes of the Wake) 3:50 Total length: 52:00 Volume 3: The Vault.