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This article is about the song by The Rolling Stones. For the episode of That '70s Show, see Can't You Hear Me Knocking (episode). Can't You Hear Me Knocking is a song by English rock band The Rolling Stones from their 1971 album Sticky Fingers. The song is over seven minutes long, and begins with a Keith Richards open- G tuned guitar intro. At two minutes and forty-three seconds, an instrumental break begins, with Rocky Dijon on congas; tenor saxophonist Bobby Keys performs an extended saxophone solo over the guitar work of Richards and Mick Taylor, punctuated by the organ work of Billy Preston. At 4:40 Taylor takes over from Keys and carries the song to its finish with a lengthy guitar solo.[1] Contents 1 Inspiration 2 Recording 3 Accolades 4 Personnel 5 The Rolling Stones live performances 6 In other media 7 Personnel 7.1 Sticky Fingers 7.2 Live Licks 8 References 9 External links Inspiration[edit] Richards on writing the guitar riff, Can't You Hear Me Knocking came out flying - I just found the tuning and the riff and started to swing it and Charlie picked up on it just like that, and we're thinking, hey, this is some groove. So it was smiles all around. For a guitar player it's no big deal to play, the chopping, staccato bursts of chords, very direct and spare. [1] Recording[edit] On the recording, Richards said in 2002, ( The jam at the end wasn't inspired by Carlos Santana.) We didn't even know they were still taping. We thought we'd finished. We were just rambling and they kept the tape rolling. I figured we'd just fade it off. It was only when we heard the playback that we realised, Oh, they kept it going. Basically we realised we had two bits of music. There's the song and there's the jam. [1] Taylor recalled in a 1979 interview, Can't You Hear Me Knocking. is one of my favourites. ( The jam at the end) just happened by accident; that was never planned.
[ Intro] Figg Side! [ Verse 1] ( Ball so hard) What's 50 grand to a mothafucka like me Can you please remind me? Shit, I'll remind ya Put that steel behind ya, put five inside ya Better chill out with all that flossing partner ( Ball so hard) You must be cray Leave 'em in the streets with his shoelaces missing and socks up off his feet Pistol holding gonorrhea, nigga, skeet-skeet Soul dropped, Rock dropped, Dot dropped Black Hippy, TDE, well, fuck it, nigga, let's four-peat A dope Hoover dealer, uh, ADHD Fuck that, let's bake coke and cook crack Fuck the sheriffs, the gang unit, fuck crash Pimp hoes or wring ya bread, she love tracks Crack of dawn, Figg get it, yeah we get it, yeah Figg get the money, yeah, all season, every year Niggas better hope our star popping Before I start robbing the re-up with Oxycontin [ Hook] On Figg, we see it, we need it, we want it, we get it It's storming, it's snowing, it's flooding, we still out here thugging On Figg, we see it, we need it, we want it, we get it Figg get the money, yeah, all season, every year Figg get it, get it, Figg get it, get it, get it, yeah Figg get it, get it, Figg get it, get it, get it, yeah Figg get it, get it, Figg get it, get it, get it, yeah ( Ball so hard) You must be cray [ Verse 2] What's 50 grand to a mothafucka like you You still need a reminder? ( Yeah, I thought so) Shit, I'm loco, 38 brown had to call him coco Stick around the block boy, tell 'em go go Don't stop shooting 'til ya all red tho Yellow tape mothafucka shoulda yield ho Why you all tough for? See your thug ass later at the crossroads The landlord turn your lieutenant into a tenant And if ya, rims spinning, your jaw dented I'm a grown man dog, I ain't kidding The end has come, so keep big weed and big lungs, big guns Brought on her knees, the holy ghost, she speak in tongues Murder searching, why even run one shot, he done Nigga you must got.
What follows are terms and expressions which appear in the posts and comments at Get The Picture and are of particular interest to the Georgia fan base. Some are of my invention; others have been provided by a group of folks who outdid themselves in the comments to this post. The list is subject to change and expansion; feel free to add your suggestions in the comments. Arena (n.) – a special place where people who are critical of a football program have never been. Banished from Valdosta (n.) – something bad that happens that really has virtually no effect on the aggrieved party. (h/t David Hale) Beer (n.) – a form of liquid refreshment that “drink pretty good”. Beyond Crompton (adj.) – 1. the measurement of a truly incompetent performance by a team, unit, or individual. 2. a completely out-of-nowhere superlative performance by a team, unit or individual who until then had given no indication of such capability. (h/t David Hale) Blackout (n.) – [ NOTE: this entry has been removed or is no longer valid.] See, Fake Juice. (h/t Andy) Bulldog Joe (n.) – an anonymously critical Georgia fan who’s never stepped inside the arena. Buttah (adj.) – a Ray Goff measure of improvement. (h/t ‘matsdawg) Celebration (n.) – an act so depraved that it will be forever in the mind of Urban Meyer. ( Which made it totally worth it, of course.) Chantastic (adj.) – the general condition of Georgia Tech football. Corch (n.) – a term of endearment and respect for Irvin Meyers. Corrine Brown (n.) – an articulate Florida Gator fan. Cowbell compromise (n.) – the act of addressing a problem by passing a rule that no one will follow. Coxian (adj.) – a type of “what, me worry?” on-field decision by a player who should know better that leads to disaster, e.g., “ I kind of saw Norwood and was like, hmmm, but I decided to throw it anyway ” Creating balance (v.) – dropping a formidable opponent from.
For the Gang of Four song, see Entertainment!. Ether is the second track on hip hop artist Nas' 2001 album Stillmatic. The song was a response to Jay- Z's Takeover, a diss track directed towards Nas and Mobb Deep which appears on Jay- Z's album The Blueprint, during the Jay- Z vs. Nas feud. Nas named the song Ether because I was told a long time ago, ghosts and spirits don't like the fumes from ether, and I just wanted to affect him with my weapon and get to his soul. Contents 1 Song 2 Aftermath 3 Significance 4 See also 5 References Song[edit] Jay- Z, who had surpassed Nas in commercial success since 1998, dismissed him as a has-been on the diss track Takeover. Nas responds to Jay's claims by rapping, I got this, locked since Nine- One (1991 I am the truest/ Name a rapper that I ain't influenced. The song contains numerous slurs directed at Jay- Z: When these streets keep calling, heard it when I was sleep/ That this Gay- Z and Cock- A- Fella Records wanted beef, Then you got the nerve to say that you're better than Big/ Dick-suckin' lips, why don't you let the late great veteran live, You a dick-ridin' faggot, you love the attention/ Queens niggas run you niggas, ask Russell Simmons and Put it together/ I rock hos; y'all rock fellas. Nas also attacks Jay- Z's street cred, claiming, In '88, you was gettin' chased to your buildin Callin' my crib, and I ain't even give you my numbers/ All I did was give you a style for you to run with. He also accuses Jay of selling out, Y'all niggas deal with emotions like bitches/ What's sad is I love you cause you're my brother, you traded your soul for riches. Nas also criticized him on on stealing KRS- One ideas on the name of Jay- Z's current album at the Time, The Blueprint, which CJ was quite similar to the Boogie- Down Production's album, Ghetto Music: The Blueprint of Hip Hop, with the line KRS already made an album called.
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Artist: The Game Album: LAX Released: June 24, 2008 Recorded: 2008 Genre: Rap Rock Label: Geffen Dope Boys is the second single from The Game’s 3rd studio album, LAX. It is produced by 1500 or Nothin' and DJ Quik, and features the Blink 182 drummer, Travis Barker. Beat sound a bit familiar? It’s because the song samples a classic Beatles song – Eleanor Rigby AKA All The Lonely People. The song, containg a fairly heavy drum beat, is mainly about the production and selling of Crack Cocaine. Some aspects are of Game’s real life experience as a drug dealer in his youth, others are of exaggerated or typically ‘ West Coast gangster’ situations. In true Jayceon Taylor style, there are mnay references and name drops, such as OJ Simpson, Ludacris, Dr. Dre, 50 Cent, hell Even Game’s grandmother! The Dr. Dre mention touches on a continued theme in Game’s music, since the whole of his previous album, Doctor’s Advocate, was about Dre. There is a somewhat deep meaning continued as well, as Game feels the falling out with 50 Cent and subsequent leave from Dre’s Aftermath label has caused his mentor and father figure to be disconnected from him. As the beef was in it’s prime during the time this song was released, it is unsurprising that Game takes a shot at 50, by making sexual regards to his girlfriend. The single peaked at Number 11 on the U. S. Billboard Bubbling Under R last week it was 3.) If you haven’t heard “ Trap Queen”, check it out before learning the backstory: Great for singing along, but what the heck do the lyrics mean? Well, anyone can figure out that “ Trap Queen” is about hanging out with your cute girlfriend and having fun. “ I get high with my baby” is not difficult to interpret. But if you don’t understand a few key words, the rest of the song is mysterious. After hearing “ Trap Queen” on the radio, I was genuinely confused. So I looked up the nitty-gritty details on Rap Genius, which led me to other research. The first essential term is “trap”. In essence, a trap is a place where drug dealers hang out and conduct their business. When it comes to music, the definition is more nebulous. According to David Drake on Complex: “ The genre [of trap music] was created by rappers like T. I., Young Jeezy, and Gucci Mane, who were referencing a life of drug-dealing, and producers like DJ Toomp, Shawty Redd and Lex Luger, whose aggressive production framed the intensely dark subject matter.” Drake continues to explain: “[ T]he original meanings of ‘trap’ in a hip-hop context are difficult to nail down because the term has always hinted at multiple meanings. It is, in a literal sense, the place where drugs are sold, but could also imply something about the mentality of the people working there, or the nature of the work itself, or the hopelessness that propels people into those situations.” In order to really get “ Trap Queen”, you need a little familiarity with drug culture, particularly the kind of drug culture that develops in.